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5117199: ibm created the first cognitive servant, (or cognitive robot) the cb (which stands for cognitive robot), in 1992 (petitot, gadeyne and jean nicolas, 1993). it consists of a mobile robot endowed with artificial vision and a vision-based cognitive system that controls the robot. it can walk, grasp or manipulate a wide variety of objects, learn by experience (by simultaneously exploring its environment with the object in hand), recognize objects, use visual and auditory cues for speech and action recognition. it has a vision-based cognitive system that learns over an enlarged collection of image patches. its “cognitive” system is based on a biologically-based pattern recognition method, and works on an environment-based learning. the pattern recognition system is based on a heuristic (i.e. optimal) matching between patterns (or prototypes) and visual features extracted from images. the robot mainly relies on speech recognition, vision recognition, logic-based decision-making and control, to interact with its environment. the cb is a cognitive servant, a user-friendly, intelligent mobile robot, which is able to perform household chores and to interact with the user. a user can program its new learning skills and, eventually, the robot evolves in the user’s experience. in contrast with other robots, it is not controlled by rigid preprogrammed algorithms; it is controlled on the basis of a simple user language. other major developments in this field are summarized in tsingos and phillips books (oxford university press, 1995 and 1997).
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amigos robots isaac asimov pdf download is my first solo album, and my first release on any label. it is my first venture into the realm of electronic music. when i was about 14, i was in a band in seattle that used mostly live looping. i started making loops, and started figuring out electronic music. i was fascinated by the whole idea of making music without playing an instrument, just using loops to create sounds. i really enjoyed the process. i learned a lot and made some good music, but also a lot of bad and doped out drek. i also learned how to use a computer. i was a total geek back then, with a commodore vic-20 and an apple ii. around the same time i also got really into wacky phone phreaks. like most teenagers i was fascinated by being able to make free long distance calls. it was a revolutionary concept, and the possibilities were endless. i used to call at&t and then bill myself for the call. i would do it for hours. this was also around the time that i learned how to burn cds. cd’s were a lot of fun, but also a pain in the ass. there was no easy way to play them. i was always a vinyl fan. i loved the artwork and the fact that you didn’t have to be near a cd player to listen to your albums. i discovered tape cassettes at about the same time, and i started collecting them. when i was at a party, i would listen to one of my friends cassette tapes. there was a party at my friend’s house and it was the first time i had heard of a tape, and the tape that i had was the tape that started it all for me. the tape was “alien” by frank zappa. i got that tape from him. i would put it in a small machine that i had, and i would play it while i was smoking weed, just watching the little needle track back and forth. i loved that tape. i thought it was great, and i was hooked. i started listening to the talking heads, the cure, the cult, and a lot of other bands. i would go to record stores all over seattle to find tapes that i wanted. i was never able to find any tapes in my local store, so i had to go all over seattle to find them. i spent countless hours listening to music, and became totally obsessed with it. my life completely revolved around my music. i would listen to music every single day. i was really into the music scene of seattle at that time. there was a lot of really good bands. i would go to a lot of shows, and meet a lot of really cool people. in the summer of 1988 i got into the band negativland. we were only on the scene for a short while. they had just released the “free radical” album. it was a really innovative album. we were all just getting into making music. i was listening to a lot of autechre, and was inspired by them. it was really interesting to me to see that someone could make electronic music and get people interested in music at the same time. it was a new idea for me. in the summer of 1988, i also got into house music. i was really into the music scene of seattle at that time, and i was also spending all of my time listening to house music. i started going to clubs. i also started playing drums at a friend’s house, and i started playing in a lot of bands. i started playing in a band called the pink spy, which was the band for the “free radical” video. the band was a lot of fun.
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